Tuesday, January 6, 2026

ROBONAM | Illustrations of Robots Warfare by Alex Ariza 2011

Robonam - Drawings of Robot Warfare by Alex Ariza 2011
ROBONAM - Sketch of Robot Soldiers standing guard, Alex Ariza 2011

Robonam - Drawings of Robot Warfare by Alex Ariza 2011
ROBONAM - "Robot Down!" Sketch of robot soldiers carrying away a damaged soldier, Alex Ariza 2011

ROBONAM - Splash Page of Machine Guns, Rocket Launchers, Rifles by Alex Ariza Art 2011
ROBONAM - Splash Page of Weapons, Alex Ariza 2011
Drawing of Metal Structures by Alex Ariza 2011
ROBONAM - Abstract line drawing of metal structures, Alex Ariza 2011

Robonam - Drawings of Robot Warfare by Alex Ariza 2011

ROBONAM - Sketch of robot soldiers loading up a medical evacuation helicopter of their fallen robot compatriot, Alex Ariza 2011


Robot Line Drawing by Alex Ariza 2011
ROBONAM - Line drawing of robot falling, Alex Ariza 2011

ROBONAM - Robot Exploding Back, Alex Ariza 2011
ROBONAM - Vector Art of Robot Exploding From Behind, Alex Ariza, 2011



ROBONAM - Dead Clanker, Alex Ariza 2011
ROBONAM - Dead Clanker, Alex Ariza 2011


Contemporary Paintings of Mayan Masks by Alex Ariza 2009

 

Acrylic Painting of Mayan Bat Mask by Alex Ariza 2009
Mayan Bat Mask, Acrylic Painting on Board 12 x 12 inches, Alex Ariza 2009

This painting presents a stylized bat mask rendered in warm earth reds similar to terracotta pottery and sculptures, and ochres against a contrasting cool blue ground, evoking a visual language of ancient Mesoamerican sculpture. In Mayan art and mythology, the bat was a powerful and complex symbol, most often associated with death, the underworld, sacrifice, and transformation. Bats symbolized darkness, night, and the boundary between life and death. The ancient Mayans believed passing through darkness (the underworld) was necessary for renewal, fertility, and cosmic balance.

Painting of Golden Mayan Mask by Alex Ariza 2009
Golden Mayan Mask, Acrylic Paint on Board 12 x 12 inches, Alex Ariza 2009

This painting depicts a stylized Mesoamerican ceremonial mask rendered in luminous golds and ambers, floating against a rich violet background. The Maya viewed gold as a material closely associated with the sun, and gold objects were often described as the “excrement of the sun” or “sweat of the sun,” emphasizing their sacred origin. Gold was used for ceremonial masks, headdresses, nose ornaments, ear spools, and chest plates to signify a person’s role as a mediator between the human and divine realms.

Painting of a Jade Mayan Mask by Alex Ariza 2009
Jade Mayan Mask, Acrylic Paint on Board 12 x 12 inches, Alex Ariza 2009

This painting presents a ceremonial mask made from jade, rendered in cool blue-green tones and set against a vivid red background. The face is frontal, symmetrical, and architectonic, built from rounded geometric forms that echo carved stone and polished mineral. Jade was considered a sacred material in much of Mesoamerica, associated with life force, breath, water, fertility, and regeneration. The saturated red background suggests blood, sacrifice, and vital energy, intensifying the tension between life and death. 

Painting of a Wooden Monkey Head Mayan Mask by Alex Ariza 2009
Wooden Mayan Mask, Acrylic Paint on Board 12 x 12 inches, Alex Ariza 2009

This painting of a wooden monkey head features bright red and orange wooden textures against a bright green background for contrast. Mayan creation mythology described monkeys as failed attempts by the gods to craft humans. Monkeys represented the mischievous and creative sides of human nature. They symbolized scribes, the arts, drinking, and dancing.

Sunday, January 4, 2026

Making Linocut Prints for Band Merchandise - Coral

 

Linocut Print of Woman Growing Coral Out of Her Head by Alex Ariza, 2025
Linocut Prints for the band, Coral - 5 x 7 inches, Alex Ariza 2025

Linocut Printmaking Process

Everything begins with a sketch. 

Graphite Drawing of Woman with Coral Growing Out of Her Head by Alex Ariza, 2025
Graphite Drawing of a Woman with Coral Growing Out of Her Head, 5 x 7 inches, Alex Ariza 2025

This graphite drawing combines a woman's head and the organic shapes of coral growing out of her head and eyes. The background is darkly shaded pushing the lighter face forward and enhances the dreamlike, submerged feeling.

Inked Drawing of a Woman with Coral Reef Growing Out of Her Head by Alex Ariza, 2025
Drawing of a Woman with Coral Growing Out of Her Head, 5 x 7 inches, Alex Ariza 2025

The next step is inking the graphite drawing to get an idea of the values using only black and white. Gray tones are created by hatching the line work closer or farther apart from each other. For maximum impact, the face is left pure white against the black background. 

Linocut Block for the Band Coral by Alex Ariza 2025

The next phase is to transfer the drawing on to the linoblock. For this, I covered the back of the drawing with a layer of graphite. The line drawing is then transferred on the block. With a Sharpie marker I fill in the drawing on the linoblock. 

Carved Linocut Block for the Band Coral by Alex Ariza 2025
Carved Linocut Block for the Band Coral by Alex Ariza 2025

Then I carve out whatever should remain white and leave whatever is to hold ink and be printed black.

Coral Linocut Print by Alex Ariza 2025
Linocut Prints for the band, Coral by Alex Ariza 2025